The Tiger is a new synthesizer, developed in february 2012 by HG Fortune, capable of complex multi-layered sounds as well as groovy rhythmic sounds that you would hardly expect from a synth. It can create also fairly typical synth sounds such as brass, bass, strings, PPG like and fm sounds, leads.
Lot of modulation options are available and it’s easy to integrate controllers like joysticks, touchpads or ribbons via the 4 UCC knobs (User assignable MIDI CC). Many options for realtime interaction at performing live. Pads can be turned into complex rhythmic sounds through two different 16-step Rhythmic Pattern Gators (RPG) and a 16 Step Modulator. Limitations: 3 voices, no Lazy, 256 patches, SF2 load only for Osc 2 section B.

'I just came home from a Hollywood recording project today and tried out The Tiger, absolutely incredible! You have really taken it to another level with this one; the interface is great and the sounds are just stunning. I haven't been able to stop messing around with this since I fired it up hours ago. Best 15 Free Delay VST/AU Plugins that Actually Sound Great! It’s part of the ReaPlugs FX suite where you can download a bunch of excellent and free plugins, not just ReaDelay. Tiger Delay sounds great and is a very simple plugin to use. The only downside is that it is a Windows Only Plugin.

Download: The Tiger VST Synth

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ULTRA-CLEAN OSCILLATORS

The Tiger Vst Download Mac

Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).